Shenzhen restaurant design Yong Chun Shenzhen EID · dining restaurant design restaurant design interior design is the first integral part of social culture, from the horizontal dimension of view, no matter what style of design have a particular spiritual and cultural and psychological structure, in certain cultural context of the commencement and completion, and thus reflect different values ??and aesthetic concepts, reflecting the time of the cultural scene. The vertical dimension from the point of view, any time of the interior space are designed with productivity and culture was closely linked. Design form from the culture, people according to experience (history and tradition) processing of the existence of all impressions. Traditional theory that the "culture" of the "culture" is something to do on the mark, leaving no trace, "of" is generated, meaning good fortune. Culture is actually a form or nature of the change, deeply rooted in the material formation. Thus culture is based on the material content of the performance, the carrier for the long history of one's immortal creation, this creation is not necessarily the grand, may be just a small thing in life is a minor scene or objects, but as long as to understanding and analysis can also find the taste of culture and cultural sense. As a form of spatial design, design is a tea house technology, it is an art, most importantly, it is a culture. So tea is from hardware to software design, from the decoration to decoration, from art to culture, from static to dynamic, everywhere. "Tea House Design", from the concept of speaking, the first should be able to pass along traditional culture, from a functional perspective, to establish "cultural platform", "market opera" design ideas, and ultimately to Friends of tea, exchange business design requirements. From a macro perspective, a successful system design, to realize the concept of human services. Tea is the integration of leisure and consumption as one of the design patterns, so the tea should pay attention to the guests by design and emotional communication, to focus on service facilities, fully furnished, cut tea is a cultural body, to pay attention to quality decorative, ornaments paintings , color, etc. with the theme of the symbol. "Feelings and experiences about the design of tea, Li Yongjun (pen) insightful unique." Devices ", ie objects. In order to" control "Philip" text ", which is the ultimate demands of traditional Chinese values ??Shenzhen Hongxing tea that is Li Yongjun (pen ) is another big "device" work. The following is about the Red Star club in Shenzhen Xiao Mei Sha case, which was originally a single-door flat-topped, three-story building looks ordinary in the establishment of "Friends of tea, exchange business "design concept, the designers boldly breaks away from the building space form, the transformation to form two side doors, sky dome, the top crown teapot, tea distinctive mark identifying the image presented in the public eyes. With the product design activity and design contemporary socio-economic and highlights the importance of culture, created by the product design activity has become an important form of cultural identity design. design as a creative and cultural activities have become more and more obvious characteristics, which promote the social life in visual world, aesthetics, and culture plays an important role can not be ignored, which show that modern design contains a gene of Chinese traditional culture, traditional culture and modern art and design in modern art environment, integration, harmony unity. Indeed, in this case, the designer through the full use of painting porcelain, tea cup, mahogany chairs, clear language style carving and other traditional elements, revealing the antique fashion, creating a rich cultural atmosphere, so that the public appreciate the tea of ??the taste and mood of the United States is worth mentioning that, in this case the top designers in the teahouse designed a huge dome of the sky, combined with optical virtual language arts, the creation of a "blue sky, white clouds, the stars' outer picture, extending and deepening the design theme. designer always works to speak through the case of deconstruction, Li Yongjun (pen) design practice called show people: the design is never a purely individual act, from the media, language, traditional performance practices such as explicit knowledge to the design the cultural attitudes, ways of thinking, aesthetic and other hidden tradition, are intentionally or unintentionally, affect the life of every interior designer. modern interior space in various shapes, decoration, furnishings, etc. are all manifestations of people's pursuit of a better life and desire different forms of modern interior design to rely on science and technology, culture and arts for the content, its development reflects the spirit of a nation's culture, these cultural elements rooted in people's consciousness, the history of sedimentation, can not be avoided to appear in people's lives. 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